Tag Archives: arts

I’s in a book!

“Whose Flame Is It Anyway?” Anthology
A celebration in words and pictures

 

 

Not my book, sadly, but an anthology by Disability Arts Cymru, with poetry, prose, art and pictures of various productions. I’ve been lucky enough to have two English poems accepted for the book, and I’m told there’s a very fetching pic of me in my ‘Queen of the Birds’ Eryr Euraid regalia :)

Here’s the official blurb: ‘Through “Whose Flame is it Anyway?” Disability Arts Cymru has uncovered a wealth of talent amongst young disabled people in Wales. For four years, our young poets, painters, performers and musicians have never ceased to amaze & inspire. This anthology is a celebration of their skill and passion.’

Good eh? I’ve been invited to the book launch, where I’ll be performing sign language poems, but sadly, the event is RSVP only. Sorry, folks! The poems – which I still need to compose… – will reflect the English poems I have in the book – ‘When the Dead Are Cured’ and ‘Lament of a Bilingual Poet’. If you wanna read them, you’ll have to buy the book! Speaking of which, you can order here: http://www.amazon.co.uk/Whose-Flame-Anyway-Macsen-McKay/dp/1907476091

Just to whet your appetite, here are the first three lines of ‘When the Dead are Cured’, affectionately known as the ‘Zombies Haiku’.

Zombies surround me:
Bodies, faces, say nothing.
Only their mouths move.

Ooh, I wonder who / what I could possibly be talking about?

P.S. The blog is probably going to be slow for a while, am knee-deep (or I should be) in my MA dissertation. The working title is “Demonising genes: this way the future?” and my argument is that blaming everything on genes; pathologising and normalising them based on factors we don’t yet fully understand (take the debate on epigenetics for example) and concerted efforts to eradicate increasing numbers of genes and random mutations are misguided. Especially as technology that can help people with disabilities integrate into society has also moved on: we need to have faith in human ability to adapt. In the future, accidents will still happen, genes will slip through the net, some people will still have ‘disabilities’ compared to the rest of ‘normal’ society, society will still need to adapt to those who fall outside of their ‘normal range’. Basically I’m arguing that people with (non-life-threatening) disabilities deserve a chance at life too! To clarify, I’m arguing for a spectrum of ‘fatal — non-fatal’ and ‘difference — disease / disability’ as opposed to ‘disabled — normal’ or ‘abnormal — normal’. Deafness, for example, would be an example of a non-fatal disability that doesn’t deserve to legislated against *ahem, HFEA Clause 14, ahem* whereas life-threatening diseases such as Tay-Sachs, where a sufferer will live a very short life (rarely living past the age of four) should absolutely be tested for and guarded against. It’s a dissertation that takes in arguments about value of life, aspects of medical law, genetic ethics or genethics, social commentary and disability rights. And it’s due in at the end of August. Forgive me for not updating regularly for a while :)

I just really, really like theatre…

Well that’s it - I’m officially a bit mad. Why else would I bounce across to Cardiff in the morning for a university seminar, then across to London to watch stabbings, mental breakdowns, a brilliantly twisted future and a visual story I could have watched all night?

At least it was an interesting day. I got up at just before 7 and got to bed around 1, having caught the late train back to Bristol. Sometimes that’s just the way it works out, when you have rehearsals on the Friday and Saturday, (more about that in a future post!) ruling out Thurs night as well, leaving Weds and a bonkers travel schedule. Why? All for the love of theatre. This is how much I love theatre. Specifically, this is how much I love theatre that I can access.

Deafinitely Theatre’s 4Play is a showcase of four short plays written by Deafinitely Creative competition finalists. I was lucky enough to be one of the featured writers last year, and I wanted to come and see what they’re up to now.

I wasn’t disappointed. The first two plays were quite dark, the first, A Sweet Slice of Life written by Steven Collins I found a bit hard to follow I admit, but it makes more sense now I’ve read Charlie Swinbourne’s review at Disability Arts Online. That’s not to say it wasn’t powerful and bloody surreal; and if I know Steven’s work, then his objective has probably been achieved.

Confusions of a Shadow Boxer by Matthew Gurney had an amazing twist that I didn’t see coming, and gave food for thought. The next two plays were much lighter, and being a sci-fi nut, I really enjoyed Lianne Herbert’s TwentyFortySeven, which turned the future on its head with a deaf-led government. Some moments were hilarious, with just enough dark undertone to keep it real. The last play, Absence in Time by Vitalis Katakinas was completely visual, with no BSL or speech, but still perfectly clear – and funny. Judging by some of the laughter, the audience were wetting themselves. Job done.

Congrats to all the writers, actors and directors on a great show, thanks for making my train tickets worthwhile! Was good to see some of the people around as well, even if I was babbling nonsense as I dashed out of the door to get back to Paddington.

4Play is on at RADA Studios until Saturday 25th February. It’s important to know this was formerly The Drill Hall, that way you won’t follow the directions on the bloody ticket and end up going round to the Malet St entrance of RADA and being directed to a theatre you know the location of by heart. Annoying. My feet were not impressed. Be told.

Today has been spent mostly sleeping or napping. Tomorrow I’ll be going to Cardiff for rehearsals for - ah, no. I think I’ll wait and see what’s going on first (I’m still not sure yet, these are the first rehearsals) and update on Sunday or Monday. Mind you I’ve built it up a little now, can only hope people won’t be disappointed when I reveal that…

Telling Our Stories

Tomorrow, I’m due to perform my BSL poetry at Bristol’s M Shed as part of Resistance: Telling Our Stories, an event that has been organised as a (slightly belated) nod to Disability History Month, with the backdrop of Resistance: Which Way The Future?, a media installation directed by Liz Crow of Roaring Girl Productions which is on at the M shed from 5th January to 5th February 2012. More info can be found here:
http://www.journomania.net/culture/38-art-and-culture/517-disability-arts-at-bristols-m-shed-for-uk-disability-history-month-.html
http://www.roaring-girl.com/productions/resistance-on-tour/

I was looking forward to this anyway, but with the twitterstorm that blew up over the #spartacusreport (which I gleefully added my little raindrops to) last monday, the triple defeat of the government in the House of Lords over the Welfare Reform Bill, which Lord Fraud, excuse me, Freud, then attempted to roll back as soon as the Labour peers had left* and the governments’ response which basically seemed to be that they were going to keep pressing ahead with the WRB, despite all protests, it seems to me that the themes of Resistance are just as relevant as ever.

*Mason Dixon gives a colourful and Hollywood-worthy version of events: http://masondixonautistic.blogspot.com/2012/01/us-and-them.html

Resistance looks at the Nazi eugenics program, Aktion T4, during which hundreds of thousands of disabled people… well, disappeared. They just went away in grey vans and didn’t come back. And apparently, not very many people questioned it at the time. It probably didn’t help that Nazi Germany was trying pull itself out of a recession, and the propagandists had done their best to tell everyone how much these ‘useless eaters’ were costing the state, via posters like this: http://en.wikipedia.org/wiki/File:EnthanasiePropaganda.jpg
The translation is: “60,000RM. This is what this person suffering from hereditary defects costs the Community of Germans during his lifetime.”

When some Minister or newspaper bangs on about benefit scroungers / how much the welfare state is costing / benefit fraud, while the coalition sits idly by while the HMRC aids and abets what have to be crimes against the treasury, I think of that poster.

And it’s working. Disability hate crime on the up, people living in terror of Work Capability Assessments, people with mental health issues having to be talked down by kind voices after receiving a particularly nasty letter from the DWP. Well fucking done.

A little fact-checking.
1) DWP own figures put fraud at less than 0.5%.
2) Of the “5.2 billion lost to error and fraud”, only 1.2 billion of that was fraud.
3) The coalition has said they want to cut payment of DLA by 20%.
4) They also say they want to ‘protect the most vulnerable’.
5) Unclaimed benefit in 08/09 was 17.7billion (12.7billion means tested, 5 billion tax credits).

Compare and contrast 3) and 4) with 1), 2) and 5). Conclusion: there are far less benefit scroungers out there than the coalition would have you believe. Am I wrong? Feel free to google it and check. In fact, I want you to google it and check. Challenge me. Challenge the coalition. Just please don’t ignore the Welfare Reform Bill.

And if, after reading the Spartacus Report, you think we should all take a deep breath and be allowed to look at the WRB proposals properly, go over to ‘Pat’s Petition’ and sign the petition to stop and review the cuts to benefits and services.

Spartacus Report/ Responsible Reform:
https://skydrive.live.com/view.aspx/Responsible%20Reform%20for%20screen%20readers.doc?cid=cba86408918caa9e
Pat’s Petition:
http://epetitions.direct.gov.uk/petitions/20968

For my part, I hope lots of people will come and check out the Telling Our Stories event, there’s lots of happy stuff as well as serious stuff, and it promises to be at the very least an interesting day out! Plus, there’s my poetry :) For those who can’t make it, the media installation will be on until 5th February.

Which Way The Future?, indeed.