Well that’s it – I’m officially a bit mad. Why else would I bounce across to Cardiff in the morning for a university seminar, then across to London to watch stabbings, mental breakdowns, a brilliantly twisted future and a visual story I could have watched all night?
At least it was an interesting day. I got up at just before 7 and got to bed around 1, having caught the late train back to Bristol. Sometimes that’s just the way it works out, when you have rehearsals on the Friday and Saturday, (more about that in a future post!) ruling out Thurs night as well, leaving Weds and a bonkers travel schedule. Why? All for the love of theatre. This is how much I love theatre. Specifically, this is how much I love theatre that I can access.
Deafinitely Theatre’s 4Play is a showcase of four short plays written by Deafinitely Creative competition finalists. I was lucky enough to be one of the featured writers last year, and I wanted to come and see what they’re up to now.
I wasn’t disappointed. The first two plays were quite dark, the first, A Sweet Slice of Life written by Stephen Collins I found a bit hard to follow I admit, but it makes more sense now I’ve read Charlie Swinbourne’s review at Disability Arts Online. That’s not to say it wasn’t powerful and bloody surreal; and if I know Stephen’s work, then his objective has probably been achieved.
Confusions of a Shadow Boxer by Matthew Gurney had an amazing twist that I didn’t see coming, and gave food for thought. The next two plays were much lighter, and being a sci-fi nut, I really enjoyed Lianne Herbert’s TwentyFortySeven, which turned the future on its head with a deaf-led government. Some moments were hilarious, with just enough dark undertone to keep it real. The last play, Absence in Time by Vitalis Katakinas was completely visual, with no BSL or speech, but still perfectly clear – and funny. Judging by some of the laughter, the audience were wetting themselves. Job done.
Congrats to all the writers, actors and directors on a great show, thanks for making my train tickets worthwhile! Was good to see some of the people around as well, even if I was babbling nonsense as I dashed out of the door to get back to Paddington.
4Play is on at RADA Studios until Saturday 25th February. It’s important to know this was formerly The Drill Hall, that way you won’t follow the directions on the bloody ticket and end up going round to the Malet St entrance of RADA…
Today has been spent mostly sleeping or napping. Tomorrow I’ll be going to Cardiff for rehearsals for – ah, no. I think I’ll wait and see what’s going on first (I’m still not sure yet, these are the first rehearsals) and update on Sunday or Monday. Mind you I’ve built it up a little now, can only hope people won’t be disappointed when I reveal that…